abryanphoto.com

Richard Photo Lab

This fall we received the great honor of documenting our lab, Richard Photo Lab, for their new brand and website. We’ve been sending our film to RPL for the past 6 years and they are, in large part, the reason we shoot film to this day.




Are you kidding me?!? What lab still has a custom dark room?!?

I recently picked up the book Kitchen Confidential by renowned chef Anthony Bourdain. In reading, I was struck by how he hires his kitchen staff. He mentioned that he never hires a hot-shot aspiring chef to run his food line. Instead, he prefers hard working laborers who don’t call in sick every time they have a cold or drink too much the night before. The men and women running the food lines in Bourdain’s kitchens are tough, loyal and, most importantly, consistent.

While documenting the RPL team, I noticed how many of them fit Bourdain’s description of the perfect worker: men and women who have learned a technique and have devoted their life’s work to mastering that skill over their lifetime. They aren’t aspiring photographers, but instead they are master technicians who do one skill better than anyone in the industry. What’s most important though, is that they do it consistently.



I find great comfort that Sam and Cam (above) are the only ones who have developed all of A Bryan Photo’s film since we started using RPL. Actually, these guys have been developing all the film at RPL for the last 20 years. Sam and Cam are among the few who are still trained to ‘dip and dunk’. This superior processing technique, which insures consistent results on each roll of film, has been abandoned by most labs because of the cost and labor associated with it.


I find even more comfort that John (with me below) has been the only person to scan A Bryan Photo’s film. Having a consistent person who is in touch with my look and preferences is invaluable. I’m so thankful that a ‘hot shot aspiring’ photographer is not scanning my film. Photographers inevitably make awful technicians, present company included.



This attitude of consistency (there’s that word again!) extends to the lab’s front office where Brian, Bill, Angela, Cohen and company are always willing to help and make my life easier. They are quick to dialogue with me about all my film needs and offer assurance that the job will be done well.





As a studio, we’ve created a reputation of intentionality and consistency. Partnering with Richard Photo Lab insures that this mindset is upheld throughout every aspect of A Bryan Photo’s process. If you are looking to save a few bucks on each roll of film you shoot, there are numerous banana-stand labs out there who are cutting corners in order to save you some cash. But if the historical preservation of your subjects is of utmost importance, I recommend you give RPL a call. They would love to develop a relationship*.


*™

Major props to Matchstic, who designed this rebrand and site.

Polaroid Booth


Polaroid of my brother, Blake & Kelly’s wedding

I’ve recently gained inspiration from an amazing book, American Photobooth. It highlights the history of the photo booth and has an incredible collection of images that have been created in these booths throughout the last century. The book is a great reminder of the power of the singular, unique keepsake.


A spread from American Photobooth

I wanted to recreate a similar take-away for guests at wedding receptions that I’m photographing. I also love the idea of these images living in only the physical form. I felt it was best to have a fixed environment (camera doesn’t move) as well as having the subjects sit. Within these constraints, like with a classic photo booth, subjects can get creative with how they use the space. People are encouraged to get in close which inevitably creates fun and spontaneous imagery. In January, Caleb & I created our first booth at Blake & Kelly’s wedding reception using a Polaroid back on a Mamiya RZ 67.

Branden created and printed a card with Kelly & Blake’s custom logo. Then, he hand-cut four slits on each card which allowed the polaroid to be slipped in easily. After the polaroid was taken, the subjects were handed the image and were able to take home a fantastic keepsake from the wedding.

We shot over 200 Polaroids for guests at Kelly & Blake’s wedding. I love the idea that Kelly & Blake will be viewing images from their wedding over the next few years as they visit friends and family’s homes.

Matchstic, Homemade Films

Here is our latest Homemade Film shot by Matchstic of their new team and studio space. They wanted to create a fun culture piece and recruit future designers so we took a light-hearted approach on the edit and love the result.

Enjoy!

Matchstic Team, Atlanta

I recently got the opportunity to photograph the new Matchstic office space and their team members. For the session, I documented them interacting with their new space which included their weekly “family meal”. I also took some updated team photos.

The office is located in east Atlanta and is definitely worth a visit. Matchstic is currently hosting Atlanta’s Creative Morning series. I drove from BHM to ATL last week in order to attend their first one (Sid Mashburn!!). I recommend attending this monthly event if you live in the area.

All of these images (except the final two) were shot on a Rolleiflex.













A Bryan Photo Workshop : April 1st-4th, 2012


Click image to view workshop website

We are proud to announce our next workshop for April 2012. We will host it in our lovely town of Birmingham and it will feature some stellar speakers and topics.

Our topics will range from the following:

A History of the Wedding Photograph
The Importance of Physical Presentation
Studio Management
Branding
Shooting Film
Pricing

Speakers:

Kelly & Maria of Ritzy Bee Events
Craig Johnson of Matchstic
Dena Robertson of Cypress Fine Albums
Bill Pyne of Richard Photo Lab

Investment:

$1500

CLICK HERE to view all the details on our workshop website!